“The film’s content isn’t ritual at all. It’s one man’s answer, eloquent and heartfelt, to the challenge of reframing our discussion of a subject that has us numb from repetition.” – Wall Street Journal
“Both broad-ranging and deep, covering a history that is political, legal, cultural, economic, psychological, emotional, moral and, in the end, also profoundly personal.” – Washington Post
“An engaging and essential essay film that makes its points clearly, backed by evidence, for those open-minded enough to consider their education incomplete.” – Variety
NY Times Critic’s Pic.
Synopsis:
Interweaving lecture, personal anecdotes, interviews, and shocking revelations, in WHO WE ARE: A Chronicle of Racism in America, criminal defense/civil rights lawyer Jeffery Robinson draws a stark timeline of anti-Black racism in the United States, from slavery to the modern myth of a post-racial America.
Safety In Our Cinema:
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“Red Rocket isn’t like any other movie you’ve seen this year. Expect the taste of pink sparkle doughnuts to linger.” – Boston Globe
“Baker couldn’t have cast a better performer [than Rex] to encapsulate the world of near-success that Red Rocket evokes, a strange parallel dimension that serves as a cracked mirror to the mainstream pop culture of the period.” – ABC News (Australia)
“Raunchy, restless” – Chicago Tribune
“Freewheeling and kissed by the magic hour light like Baker’s previous movies, Red Rocket is among the filmmaker’s best works.” – RogerEbert.com
“This is vivid, real-life film-making, without the need of an epic budget.” – Guardian
Synopsis:
The audacious new film from writer-director Sean Baker (The Florida Project, Tangerine), starring Simon Rex in a magnetic, live-wire performance, Red Rocket is a darkly funny and humane portrait of a uniquely American hustler and a hometown that barely tolerates him.
Safety In Our Cinema:
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““The Worst Person in the World” strikes me as believable, beautiful, roving, annoying, and frequently good for a laugh. Like most of Trier’s work, it also takes you aback with its sadness, which hangs around, after the story is over, like the smoke from a snuffed candle. ” – The New Yorker
“The romantic drama for people who hate romantic dramas.” – Toronto Star
“The film may be the prime example of how to restore fun, significance, and even a little bit of sex to the well-worn terrain of the romantic comedy.”
– Slant Magazine
“Any film that can combine questions of mortality with funny, fully alive scenes of sex, social awkwardness, professional screw-ups and throwaway fun is a rich one. Its brilliant, full-on performance from Reinsve deserves to be celebrated far and wide.” – Time Out
Oscar nominated: International Feature Film.
Synopsis:
Director Joachim Trier returns with another modern twist on a classically constructed character portrait of contemporary life in Oslo. Chronicling four years in the life of Julie, The Worst Person in the World examines one woman’s quest for love and meaning in the modern world. Fluidly told in twelve chapters, the film features a breakout performance by Cannes Best Actress winner Renate Reinsve as she explores new professional avenues and embarks on relationships with two very different men (Anders Danielsen Lie and Herbert Nordrum) in her search for happiness and identity.
Safety In Our Cinema:
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“The pursuit of power by any means necessary – and the moral injury that ensues – feels both ancient and urgently new, especially when it’s animated by the artistry and acute intelligence on display here.” – Washington Post
“Washington’s voice is, as ever, a marvel. He seethes, raves, mumbles and babbles, summoning thunderstorms of eloquence from intimate whispers. The physicality of his performance is equally impressive, from his first appearance, trudging heavily through the fog, until his final burst of furious, doomed mayhem.” – New York Times
“A triumph that breathes fiery new life into an enduring classic.” – The Daily Beast
Synopsis:
Denzel Washington and Frances McDormand star in Joel Coen’s bold and fierce adaptation; a tale of murder, madness, ambition, and wrathful cunning.
Safety In Our Cinema:
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“Weerasethakul is unpacking a sensation everyone has probably experienced at one point in their life: the feeling that something is cosmically out of whack.” – The Atlantic
“A vision from the future — a declaration of faith in a medium that hasn’t lost its power to astonish.” – Los Angeles Times
“Weerasethakul’s long takes and subtle observations seem to tune a viewer’s perceptions to a hidden realm of being.” – The New Yorker
“Watching this film reminded me of when I was 17, hearing Revolution 9 on The White Album for the first time. It left a residue of happiness in my heart.” – Guardian
“A hallucination.” – Salon
Synopsis:
Ever since being startled by a loud ‘bang’ at daybreak, Jessica (Tilda Swinton) is unable to sleep. In Bogotá to visit her sister, she befriends Agnes (Jeanne Balibar), an archaeologist studying human remains discovered within a tunnel under construction.
Jessica travels to see Agnes at the excavation site. In a small town nearby, she encounters a fish scaler, Hernan (Elkin Diaz). They share memories by the river. As the day comes to a close, Jessica is awakened to a sense of clarity.
Safety In Our Cinema:
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“Gorgeous, humbling, looking out-, up- and inward, the documentary “The Velvet Queen” is the rare nature film about not only beauty and beasts but also the very human urge to make sense of our place in it all.” – Los Angeles Times
“A wondrous nature documentary.” – New York Times
“What an epic cat movie!” – POV Magazine
“A hypnotic tone, thanks in no small part to a gorgeous score from the two geniuses Nick Cave and Warren Ellis.” – RogerEbert.com
Synopsis:
World-renowned wildlife photographer Vincent Munier (three-time BBC Wildlife Photographer of the Year) and novelist/geographer Sylvain Tesson (author: Consolations of the Forest, 2013), search for the majestic, elusive snow leopard kitty cat.
Safety In Our Cinema:
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“Melodramatic genius….Almodóvar leaves us with an overwhelming sense that the pursuit of justice, by right, is women’s work.” – The New Yorker
“Everything here is connected and the story flows and flows, achieving a breathless momentum that reveals its intricate design only in retrospect.” – Los Angeles Times
“Parallel Mothers is a movie of infinite tenderness, that rare ode to motherhood that acknowledges mothers as women first and mothers second.” – TIME Magazine
Starring Penélope Cruz, Aitana Sánchez-Gijón, Milena Smit, Israel Elejalde, Julieta Serrano, and Rossy de Palma.
Synopsis:
Two women, Janis and Ana, coincide in a hospital room where they are going to give birth. Both are single and become pregnant by accident. Janis, middle-aged, doesn’t regret it and she is exultant. The other, Ana, an adolescent, is scared, repentant and traumatized. Janis tries to encourage her while they move like sleepwalkers along the hospital corridors. The few words they exchange in these hours will create a very close link between the two, which by chance develops and complicates, and changes their lives in a decisive way.
Safety In Our Cinema:
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Real Art Ways Cinema is designated Cinema Safe. Learn more about Cinema Safe HERE
“Flee expands the definition of documentary” – The Hollywood Reporter
“This is a Special Film” – Deadline
“Impossible to forget” – The Guardian
“Remarkable” – Time Out
“Incredibly Intimate” – Variety
“Jaw-dropping” – Time Out
“Stunning” – The Wrap
“Truly Unique” – Thrillist
3 Oscar Nominations: Best Documentary, Best Animated Feature, Best International Film
Synopsis:
Flee tells the story of Amin Nawabi as he grapples with a painful secret he has kept hidden for 20 years, one that threatens to derail the life he has built for himself and his soon to be husband. Recounted mostly through animation to director Jonas Poher Rasmussen, he tells for the first time the story of his extraordinary journey as a child refugee from Afghanistan.
Safety In Our Cinema:
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Real Art Ways is proud to partner with Connecticut Children’s to present the 2021 Global Health Film Festival. Connecticut Children’s Center for Global Health team is dedicated to improving the physical and emotional health of children around the world by supporting our staff and faculty in their activities to build the capacity of nurses, physicians and other healthcare providers in developing countries.
Admission is free. Email Maureen Kenna at mkenna@realartways.org to reserve seats.
Synopsis:
With his signature blend of scientific acumen, candor and integrity, Dr. Anthony Fauci became America’s most unlikely cultural icon during COVID-19. A world-renowned infectious disease specialist and the longest-serving public health leader in Washington, D.C., he has valiantly overseen the U.S. response to 50 years’ worth of epidemics, including HIV/AIDS, SARS and Ebola. FAUCI is an unprecedented portrait of one of our most vital public servants, whose work saved millions while he faced threats from anonymous adversaries. Directed by Emmy winners John Hoffman (The Weight of the Nation, Sleepless in America) and Janet Tobias (Unseen Enemy), the film is executive produced by Academy Award winner Dan Cogan (Icarus) and two-time Academy Award nominee Liz Garbus (What Happened, Miss Simone?, The Farm: Angola, USA). The documentary features insights from President George W. Bush, Bill Gates, Bono, former U.S. Department of Health and Human Services secretary Sylvia Burwell, former national security advisor Susan Rice, National Institutes of Health director Dr. Francis Collins, former Centers for Disease Control and Prevention director Dr. Tom Frieden and key AIDS activists, plus Dr. Fauci’s family, friends and former patients.
Safety In Our Cinema:
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“A thoughtful, stirring reflection by someone who survived it all, quietly demanding acknowledgement not just of her land, but of her life.” – Variety
“If rendering their stories artfully through a camera lens opens just one mind, then “Beans” is already an unmitigated triumph.” – indiWire
Synopsis:
Twelve-year-old Beans is on the edge: torn between innocent childhood and reckless adolescence; forced to grow up fast and become the tough Mohawk warrior she needs to be during the Oka Crisis, the turbulent Indigenous uprising that tore Quebec and Canada apart for 78 tense days in the summer of 1990.
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“The nonfiction film its subject deserves (no offense, Meryl Streep ), a buoyant evocation of the life of Julia Child that’s infused with uncommon intelligence and enhanced by voluptuous images of food.” – Wall Street Journal
“While it might not be as revolutionary as its subject, Julia celebrates not only the woman but also her joy and passion for the creation and consumption of delicious food.” – The Wrap
Synopsis:
The new documentary Julia brings to life the legendary cookbook author and television superstar who changed the way Americans think about food, television, and even about women. Using never-before-seen archival footage, personal photos, first-person narratives, and cutting-edge, mouth-watering food cinematography, the film traces Julia Child’s 12 year struggle to create and publish the revolutionary Mastering the Art of French Cooking (1961) which has sold more than 2.5 million copies to date, and her rapid ascent to become the country’s most unlikely television star. It’s the empowering story of a woman who found her purpose – and her fame – at 50, and took America along on the whole delicious journey.
Safety In Our Cinema:
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“Vonnegut remains as relevant as ever, even eight years after his death, largely because he understood the absurdity of humanity. What once seemed like very speculative fiction now seems like reportage. ‘I think he understood that the world was going to hell, so it all came down to what you did individually,’ says Weide. ‘He talks about saints. And to him, a saint is somebody who makes other people’s lives easier in not just big ways but small ways. A smile or a thank-you or whatever.'” – Newsweek
Synopsis:
Recounting the extraordinary life of author Kurt Vonnegut, and the 25-year friendship with the filmmaker who set out to document it.
Almost eight years after his death, Kurt Vonnegut remains one of the most popular literary figures of the 20th and 21st Centuries. Readers from one generation to the next, the world over, continue to find their lives transformed by his comic and cosmic insights, on display in such bestselling books as Cat’s Cradle, Slaughterhouse-Five, Breakfast of Champions, Mother Night, God Bless You Mr. Rosewater, and on and on. Amazingly, all of Vonnegut’s works remain in print, and his popularity shows no sign of waning. Yet to-date, there has been no definitive film documentary covering his extraordinary life and work. Robert Weide has been trying to correct that oversight for 33 years.
Recently featured on NPR’s Fresh Air with Terry Gross.
Safety In Our Cinema:
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Real Art Ways Cinema is designated Cinema Safe. Learn more about Cinema Safe HERE
“It’s an impressively contrived film, almost a machine for winning awards, a monochrome reverie of midlife yearning.” – Guardian
“I loved the mercurial interplay between him and his uncle, and thought the kid, another 9-year-old in a festival graced by exceptional child actors, was as funny and endearing a character as you could ask for.” – Wall Street Journal
“With two beautiful performances by Joaquin Phoenix and newcomer Woody Norman, the film still tugs at your heartstrings through a tender, well-intentioned portrait of parenting and getting by.” – Film Inquiry
Synopsis:
Starring Joaquin Phoenix, Gaby Hoffmann and Woody Norman.
Johnny (Joaquin Phoenix) and his young nephew forge navigate the sensitivities of friendship. A delicate and deeply moving story about the connections between adults and children, and the past and the future. From writer-director Mike Mills.
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“Spencer is a biopic of Princess Diana with an atmospheric aesthetic that will make the viewer’s skin crawl. After the last season of The Crown, one might wonder if there’s room for another story about her; Larraín’s film proves there still is.” – The Atlantic
“[It] gets to the meat of what was tormenting the People’s Princess better than any simple historical retelling ever could.” – New York Post
Synopsis:
A psychologically probing alternative to monarchy fetishization. Spencer tracks the life of Diana, Princess of Wales, over a period of three days in 1991.
Though rumors of affairs and a divorce abound, peace is ordained for the Christmas festivities at the Queen’s Sandringham Estate. There’s eating and drinking, shooting and hunting. Diana knows the game. But this year, things will be profoundly different. Spencer is an imagining of what might have happened during those few fateful days.
Safety In Our Cinema:
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“It’s an eventuality so incredibly unlikely that all John can do is repeat the single word ‘believe,’ and whether it’s an exhortation to accept the possibility of miracles or to have faith in the power of human perseverance is no matter: after ‘The Rescue,’ believe, you will..” – New York Times
“Like all good documentaries, The Rescue finds the story beneath the surface of a story we thought we knew.” – Wall Street Journal
“Extraordinary… A rousing film that celebrates humanity at its most selfless.”
– Variety
“Has to be seen to be believed.”
– Insider
“This Year’s Most Thrilling- and human – documentary.”
– Esquire
“Incredibly Moving and Thrilling to Watch.”
– rogerebert.com
Synopsis:
From the directors of Free Solo!
The Rescue chronicles the enthralling, against-all-odds story that transfixed the world in 2018: the daring rescue of twelve boys and their coach from deep inside a flooded cave in Northern Thailand. Using a wealth of never-before-seen material and exclusive interviews, E. Chai Vasarhelyi and Jimmy Chin keep viewers on the edge of their seats as they bring alive one of the most perilous and extraordinary rescues in modern times, shining a light on the high-risk world of cave diving, the astounding courage and compassion of the rescuers, and the shared humanity of the international community that united to save the boys.
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“A rapturous homage to experimental art.” – The Hollywood Reporter
“Dazzling.” – Variety
“Trippy, sexy.” – The Daily Beast
Synopsis:
The Velvet Underground created a new sound that changed the world of music, cementing its place as one of rock ‘n’ roll’s most revered bands. Directed by acclaimed filmmaker Todd Haynes, “The Velvet Underground” shows just how the group became a cultural touchstone representing a range of contradictions: the band is both of their time, yet timeless; literary yet realistic; rooted in high art and street culture. The film features in-depth interviews with the key players of that time combined with a treasure trove of never-before-seen performances and a rich collection of recordings, Warhol films, and other experimental art that creates an immersive experience into what founding member John Cale describes as the band’s creative ethos: “how to be elegant and how to be brutal.”
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Synopsis:
A cute, funny ditty about the fabulously campy world of opera.
From award-winning director Ben Lewin (The Sessions, The Catcher Was A Spy) Falling For Figaro follows a brilliant young fund manager named Millie (Danielle Macdonald, Patti Cake$, Dumplin), who quits her job and ends things with her longterm boyfriend in order to fulfill her dream of becoming an opera singer — in the Scottish Highlands. She begins intense vocal training lessons with renowned but fearsome singing teacher and former opera diva Meghan Geoffrey-Bishop (Joanna Lumley). It is there she meets Max, another of Meghan’s students who is also training for the upcoming “Singer of Renown” contest. The competition between Millie and Max gradually evolves into something different and deeper.
Safety In Our Cinema:
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“Social media is not an inherently cinematic subject, but Ms. Binoche is, and in the hands of director Nebbou and cinematographer Gilles Porte the story of Claire becomes, both visually and psychologically, a bridge between worlds.” – Wall Street Journal
Synopsis:
Ghosted by her hunky twentysomething lover, Claire (Binoche–balancing cunning and vulnerability), a middle-aged professor and single mom, creates a fake Facebook profile to do a little undetected online snooping. But when her 24-year-old avatar “Clara” is friended by her ex’s equally attractive roommate (François Civil), superficial correspondence quickly escalates towards intense intimacy and uncontrollable obsession. Adapted from Camille Laurens’ best-selling novel–and co-scripted by Julie Peyr, a regular collaborator of Arnaud Desplechin–Who You Think I Am blends genres and bends reality to dizzying effect.
Safety In Our Cinema:
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“Tendrils of menace creep through the unnerving drama Azor.” – New York Times
“Written and directed by Andreas Fontana, making a formally precise, tonally perfect feature debut, “Azor” is a low-key shocker.” – New York Times
(Read this great review here.)
“A quiet, unhurried, un-flashy film, and that’s what makes it unnerving.”
– robertebert.com
Synopsis:
Argentina, the late 1970s. Private banker Yvan (Fabrizio Rongione) arrives from Geneva with his wife Ines (Stéphanie Cléau) to replace a colleague who has mysteriously disappeared in military-ruled Buenos Aires. Moving through the smoke-filled lounges and lush gardens of a society under intense surveillance, he finds himself untangling a sinister web of colonialism, high finance, and a nation’s “Dirty War”.
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Synopsis:
A unique opportunity to see, as never before, this series of spectacular paintings.
Vincent van Gogh’s Sunflowers are among his most glorious works, and are some of the most iconic paintings in the world. There are five of them around the world. Their final summit is chronicled in this documentary, as their increasing sensitivity to travel means that they will never be shown all-together again. Experience them up-close, side by side, as their history, origin and subtle differences are revealed.
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