Benediction at Real Art Ways

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Benediction

“We’ve thought about the war, heard it rendered in poetry and caught glimpses of its brutality. And then, through the filter of Sassoon’s tormented memory, we feel it.” – The New York Times

“[Davies] turns Sassoon’s story into a virtual opera.” – The New Yorker

“A mournful tribute to the wounded and fallen, suffused with a particular compassion for those survivors who, like Sassoon, never shook off the trauma of what they experienced.” – Los Angeles Times

Synopsis:

The real-life story of WWI combat veteran Siegfried Sassoon — a poet who changed the course of British literature – directed by Terence Davies.
94% on Rotten Tomatoes.
⭐️⭐️⭐️⭐️⭐️ – The Guardian, The Telegraph, The Mirror

From Sassoon’s “Suicide in the Trenches” (1918):
You smug-faced crowds with kindling eye
Who cheer when soldier lads march by,
Sneak home and pray you’ll never know
The hell where youth and laughter go.

Written and directed by acclaimed filmmaker Terence Davies, Benediction explores the turbulent life of WWI poet Siegfried Sassoon (Jack Lowden). The writer and soldier was a complex man who survived the horrors of fighting in the First World War and was decorated for his bravery but who became a vocal critic of the government’s continuation of the war when he returned from service. His poetry was inspired by his experiences on the Western Front, and he became one of the leading war poets of the era. Adored by members of the aristocracy as well as stars of London’s literary and stage world, he embarked on affairs with several men as he attempted to come to terms with his homosexuality. At the same time, broken by the horror of war, he made his life’s journey a quest for salvation, trying to find it within the conformity of marriage and religion.

Lost Illusions

“Illuminates the dank frenzy of the 19th-century attention economy with an eye on our own post-truth era.
Lost Illusions is sensational.”
The New York Times

“A poignant reminder that everyone who thinks they’ve cleverly sussed out the wickedness of mass media is hundreds of years behind the rest of the history class.” – The Wrap

Synopsis:

Fake news! Literary ambition and media corruption complete with champagne and schadenfreude.

Adapted from the novel by Honoré de Balzac. In French with English subtitles.

In 1821, Lucien de Rubempré (César winner Benjamin Voisin) arrives in Paris as a sensitive, and idealistic young poet determined to write a reputation-making novel. Instead, he finds himself swept into journalism, whose influence and reach is booming with the help of the printing press, widely available of late. Under the mentorship of cynical editor Étienne Lousteau (César winner Vincent Lacoste), Lucien agrees to write rave theater reviews for bribes, achieving material success at the expense of his conscience. With this sweeping adaptation of one of Balzac’s greatest novels, Xavier Giannoli crafts a contemporary tale of corruption amidst an early form of “fake news.”

Cat Video Fest 2022
It’s back!!!

CatVideoFest is a compilation reel of the latest and best cat videos culled from countless hours of unique submissions and sourced animations, music videos, and classic internet powerhouses. CatVideoFest is a joyous communal experience, only available in theaters, and raises money for cats in need through partnerships with local cat charities, animal welfare organizations, and shelters to best serve cats in the area.

 

a cat having their head combed in a blissful state

Wild Men

“[A] high-concept comedy about middle-age masculinity in crisis.” – Times (UK)

“What makes this amiably amusing Danish comedy work is the fact that it takes its hapless protagonist almost as seriously as he takes himself.” – Observer (UK)

Synopsis:

Armed only with a bow and an ensemble of animal skins, Martin sets off into the forest in a misguided attempt to overcome his midlife crisis. A chance meeting with a fugitive named Musa leads to a twisted trip through the fjords with police, drug runners, and Martin’s family not far behind. As an unlikely friendship develops and wildly original set-pieces unfold, Martin’s quest for manhood leads to deep and hilariously uncomfortable realizations about the presumed masculine ideal.

a large man draped with fur and weapons struggling with his masculinity

 

Safety In Our Cinema:

As you return to our physical space, your health and safety is our top priority. To learn about all the steps we have taken to prepare and our new procedures visit our Welcoming You Back page.

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Crimes of the Future

“This is what the work of a visionary filmmaker looks like.” – Rolling Stone

“Few filmmakers slither under the skin and directly into the head as mercilessly as David Cronenberg.” – The New York Times

“It’s marvelous to have Cronenberg back and to behold his undimmed, unparalleled skill at welding the formulations of horror and science fiction to the cinema of ideas.” – Los Angeles Times

“It’s an extraordinary planet that Cronenberg lands us down on, and insists we remove our helmets before we’re quite sure we can breathe the air.” – Guardian

“It’s both a nightmare and a wan farce, the kind of tonal blend that only Cronenberg could create, and despite his cynicism about what awaits us, I hope he never stops thinking ahead.” – The Atlantic

Synopsis:

As the human species adapts to a synthetic environment, the body undergoes new transformations and mutations. With his partner Caprice (Léa Seydoux), Saul Tenser (Viggo Mortensen), celebrity performance artist, publicly showcases the metamorphosis of his organs in avant-garde performances. Timlin (Kristen Stewart), an investigator from the National Organ Registry, obsessively tracks their movements, which is when a mysterious group is revealed… Their mission – to use Saul’s notoriety to shed light on the next phase of human evolution.

 

the stars of the movie canoodling

Safety In Our Cinema:

As you return to our physical space, your health and safety is our top priority. To learn about all the steps we have taken to prepare and our new procedures visit our Welcoming You Back page.

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Neptune Frost

“A treasury of ideas and provocations — a pocket full of possibilities.” – NY Times

“A vibrant act of cultural expression.” – RobertEbert.com

“Behold one of the most extraordinarily original cinema experiences of the year.” – The Wrap

Synopsis:

In an otherworldly e-waste camp made of recycled computer parts, a subversive hacking collective attempts a takeover of the authoritarian regime exploiting the region’s natural resources–and its people. When an intersex runaway (Neptune, played by both Elvis Ngabo and Cheryl Isheja) and an escaped coltan miner (Matalusa, played by Kaya Free) find each other through cosmic forces, their connection sparks glitches within the greater divine circuitry. With hypnotic visuals and original songs composed by musician and co-director Saul Williams, this celestial cyber-musical offers a radically bold vision of power, exploitation, and love.

a group of people cheering

Safety In Our Cinema:

As you return to our physical space, your health and safety is our top priority. To learn about all the steps we have taken to prepare and our new procedures visit our Welcoming You Back page.

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The Tsugua Diaries

“A work that possesses both the whimsy and fearlessness of a student project and the technical vibrancy of a veteran’s opus.” – NY Times

“The actors’ frayed nerves and hard-won affections—and their cinematic results—reveal their roots in the steadfast artistic purpose and the scary uncertainty of the circumstances that bring them together. – The New Yorker

“The Tsugua Diaries is something like Memento for an age of isolation and listlessness.” – Slant Magazine

“Brilliant. The most accomplished and absorbing film about time spent in lockdown that I’ve seen.”
— The New Yorker

Synopsis:

Crista, Carloto and João are building an airy greenhouse for butterflies in the garden. The three of them share household routines, day after day… and they are not the only ones.

 

people dancing in a room

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Pleasure

“The film fiercely homes in at the moral perversity of an industry at a particular intersection of capitalism, patriarchy, and digital-age spectacle.” – Slant Magazine

a woman wearing black boots taking a selfie

“But it’s Kappel, an actress with neither experience in the porn industry nor film, who turns in a star-making performance as Bella. She balances showing not just the insecurity and fear felt by this actress, but the joy too.” – Los Angeles Times

“A portrait of a business in which men use women for their own ends, and then convince those same women that this is how things operate—and, as a result, that they should behave likewise.” – The Daily Beast

“If you’re curious what a feminist take on this world looks like, “Pleasure” might surprise you as much as it did me.” – New York Times

Synopsis:

Ninja Thyberg’s debut feature film Pleasure is a journey into the Los Angeles porn industry through the lens of newcomer Bella Cherry (Sofia Kappel). Strong, self-confident and determined, Bella embarks on a mission to become the best at any cost.

Pleasure is written and directed by Thyberg with a stunning first time performance by Kappel, who anchors an ensemble of adult industry actors.

 

Safety In Our Cinema:

As you return to our physical space, your health and safety is our top priority. To learn about all the steps we have taken to prepare and our new procedures visit our Welcoming You Back page.

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Real Art Ways Cinema is designated Cinema Safe. Learn more about Cinema Safe HERE

Hit The Road

“The acting is note perfect across the board: six-year-old Rayan Sarlak is an effervescent explosion of rascally energy, while Madjooni is funny, laconic and pissed-off — often all at once.” – Time Out

“To be a passenger alongside these nervous voyagers, as they clash, tease and cherish each other on the way to this strange and terrible fork in their lives, is to be a very fortunate moviegoer indeed.” – Los Angeles Times

“From the first jokey moments of Hit the Road until its heartbreaking end you will not want to be anywhere else.” – NY Times

“Panahi’s spare, controlled style unites intimate conflicts and vast landscapes in framings as wry as they are rhapsodic.” – The New Yorker

Synopsis:

Panah Panahi, son and collaborator of embattled Iranian master Jafar Panahi, makes a striking feature debut with this charming, sharp-witted, and deeply moving comic drama. Hit the Road takes the tradition of the Iranian road-trip movie and adds unexpected twists and turns. It follows a family of four — two middle-aged parents and their sons, one a taciturn adult, the other an ebullient six-year-old — as they drive across the Iranian countryside. Over the course of the trip, they bond over memories of the past, grapple with fears of the unknown, and fuss over their sick dog. Unspoken tensions arise and the film builds emotional momentum as it slowly reveals the furtive purpose for their journey. The result is a humanist drama that offers an authentic, raw, and deeply sincere observation of an Iranian family preparing to part with one of their own.

“It is largely with the New Iranian Cinema of the post-revolutionary era that Iranian cinema received worldwide critical attention, wining regular awards at prestigious film festivals around the globe. After the 1979 revolution and the establishment of the Islamic Republic, new guidelines were established by the state apparatus to ensure that films produced in Iran were made according to the logic of an Islamic “system of modesty” (hejab in its broadest sense). Paradoxically, these censorship guidelines forced Iranian filmmakers to develop a new filmic grammar, which in a constant negotiation with state censors, contributed to a new visual and aural film form that is distinctive to Iranian cinema.” – Oxford Bibiographies

a child exclaiming out of the sunroof of a car

 

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As you return to our physical space, your health and safety is our top priority. To learn about all the steps we have taken to prepare and our new procedures visit our Welcoming You Back page.

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Real Art Ways Cinema is designated Cinema Safe. Learn more about Cinema Safe HERE

Jazz Fest: A New Orleans Story

“This movie should be played real loud. And in venues where people can, if they choose, get up and dance.” – Variety

“A rollicking, heartfelt shout-out to (and glorified tourism ad for) a cherished fairground blowout that has long buoyed a routinely troubled city.” – Los Angeles Times

Synopsis:

Live performances and interviews from the 50th anniversary of The New Orleans Jazz & Heritage Festival, the signature annual music and cultural event of the city with hundreds of thousands of attendees each year. The N.O. ‘Jazz Fest’ celebrates the music, food, people, arts & crafts, and culture of all of Louisiana since 1970, and is an essential showcase of the rich heritage of the region. The film, shot at the 2019 Fest, features local music heroes joined on 14 stages by some of the biggest names in the music industry, and a wealth of archival documentary footage from the past half century. Among the 50 plus featured performers are Jimmy Buffett, Pitbull, Bruce Springsteen, Katy Perry, Aaron Neville, The Marsalis Family, Earth, Wind & Fire, Irma Thomas, Preservation Hall Jazz Band, Samantha Fish, Herbie Hancock, Al Green, The Dirty Dozen Brass Band, Mardi Gras Indians, Dwayne Dopsie and the Zydeco Hellraisers, Tom Jones, Gary Clark, Jr., and many others.

 

performers and a crowd at Jazz Fest in New Orleans

Safety In Our Cinema:

As you return to our physical space, your health and safety is our top priority. To learn about all the steps we have taken to prepare and our new procedures visit our Welcoming You Back page.

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The Rose Maker

Eve, one of France’s greatest artisanal horticulturalists, hires three inexperienced ex-convicts to help rescue her rose business from imminent bankruptcy.

In French with English subtitles.
95% on Rotten Tomatoes.

“A buoyant romp.” – Los Angeles Times

“A reminder that glimpsing beauty is reason enough.” – New York Times

“This soulful film reminds us that there’s a whole lot more to life than just making money – or roses.” – Alliance of Women Film Journalists

 

protagonist of The Rosemaker holding a rose up in the air

 

Everything Everywhere All At Once

“Yes, the movie is a metaphysical multiverse galaxy-brain head trip, but deep down — and also right on the surface — it’s a bittersweet domestic drama, a marital comedy, a story of immigrant striving and a hurt-filled ballad of mother-daughter love.” – NY Times

“Yeoh imbues Evelyn with moving shades of melancholy, regret, resolve and growing curiosity. She’s the kind of woman the world (and Hollywood) routinely overlooks, but Yeoh makes her embrace of lead-character energy positively gripping.” – Vanity Fair

“A rare and dazzling showcase for a megawatt performer [Yeoh] who scowls, gasps, punches, kicks, leaps, flips, soars and finally transcends.”
Los Angeles Times

Synopsis:

A hilarious and big-hearted sci-fi action adventure about an exhausted Chinese American woman (Michelle Yeoh) who can’t seem to finish her taxes.

Academy Award Wins

Best Picture

Actor in a Supporting Role – Ke Huy Quan

Actress in a Leading Role – Michelle Yeoh

Actress in a Supporting Role – Jamie Lee Curtis

Best Director

Film Editing

Writing (Original Screenplay)

 

three people in a violent scene, looking beyond the camera dramatically.

 

CODA

“There is a place for the crowd-pleaser, the tear-jerker, the movie that wants to manipulate your emotions and make you cry – particularly if it manages to bring something new to an old formula.” – NPR

“Pushes our buttons shamelessly, but also with enough sincerity, warmth and finesse to forestall accusations of rank manipulation.” – Washington Post

“You’ll laugh, cry and all steps in between.” – ABC News

2022 Academy Award Winner: Best Picture, Best Supporting Actor, Best Adapted Screenplay

Synopsis:

Seventeen-year-old Ruby (Emilia Jones) is the sole hearing member of a deaf family — a CODA, child of deaf adults. Her life revolves around acting as interpreter for her parents (Marlee Matlin, Troy Kotsur) and working on the family’s struggling fishing boat every day before school with her father and older brother (Daniel Durant). But when Ruby joins her high school’s choir club, she discovers a gift for singing and soon finds herself drawn to her duet partner Miles (Ferdia Walsh-Peelo). Encouraged by her enthusiastic, tough-love choirmaster (Eugenio Derbez) to apply to a prestigious music school, Ruby finds herself torn between the obligations she feels to her family and the pursuit of her own dreams.

a happy family sitting around a table eating

Safety In Our Cinema:

As you return to our physical space, your health and safety is our top priority. To learn about all the steps we have taken to prepare and our new procedures visit our Welcoming You Back page.

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Why We Need New National Parks: A Natural Extension of Olmsted’s Vision

 

A lecture by Michael Kellett, cofounder and Executive Director of RESTORE: The North Woods, a Massachusetts and Maine-based conservation organization. With more than 30 years of experience working to create parks, save forests, and protect wildlife, Kellett will review our current challenges and suggest strategies for solving them with the proven power of public parks. The evening will feature a reception, and a first look at some of the top 100 areas for new National Parks.

 

Kellett, in the Daily Hampshire Gazette: We need to protect more wild lands.

Olmsted and America’s Urban Parks

 

Olmsted and America’s Urban Parks examines the formation of America’s first great city parks in the late 19th century through the enigmatic eyes of Frederick Law Olmsted (1822 – 1903), visionary urban planner and landscape architect. It shares Olmsted’s vision for public parks as places for respite, health, beauty and democracy.

Registration strongly encouraged.

This screening will be followed by a reception and the first installment of Really Wild Wednesdays: Eager Ecological Engineers at 7pm!

This event is part of the Olmsted200 celebration. The free reception and the free film are cosponsored by UCONN and Trinity College.

Olmsted 200 logo

Drive My Car

“Extraordinary. An engrossing and exalting experience.” – The Guardian

“An exquisitely observed drama of gently momentous connection.” – NY Times

“Superb.” – NY Times

“Exquisite.” Los Angeles Times

“A masterpiece.” – Rolling Stone

Oscar nominated: International Feature Film.

Synopsis:

Two years after his wife’s unexpected death, Yusuke Kafuku (Hidetoshi Nishijima), a renowned stage actor and director, receives an offer to direct a production of Uncle Vanya at a theater festival in Hiroshima. There, he meets Misaki Watari (Toko Miura), a taciturn young woman assigned by the festival to chauffeur him in his beloved red Saab 900. As the production’s premiere approaches, tensions mount amongst the cast and crew, not least between Yusuke and Koji Takatsuki, a handsome TV star who shares an unwelcome connection to Yusuke’s late wife. Forced to confront painful truths raised from his past, Yusuke begins — with the help of his driver — to face the haunting mysteries his wife left behind. Adapted from Haruki Murakami’s short story, Ryusuke Hamaguchi’s Drive My Car is a haunting road movie traveling a path of love, loss, acceptance, and peace. Winner of three prizes at the 2021 Cannes Film Festival, including Best Screenplay.

Safety In Our Cinema:

As you return to our physical space, your health and safety is our top priority. To learn about all the steps we have taken to prepare and our new procedures visit our Welcoming You Back page.

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Real Art Ways Cinema is designated Cinema Safe. Learn more about Cinema Safe HERE

The Duke

“Jim Broadbent could play a vicious despot and still make you wish he was your uncle.” – Time Out

“The story is charming, the performances are exceptional.” – Wall Street Journal

“One of Michell’s enduring themes was exasperation—an unglamorous emotion, familiar to us all but, unlike rage, seldom given its cinematic due. Hence, perhaps, his interest in autumnal characters; facing and fearing a wintry future, they take stock of what they have done thus far, or frustratingly failed to do.
– The New Yorker

Starring Dame Helen Mirren and Jim Broadbent.

Synopsis:

In 1961, Kempton Bunton, a 60-year old taxi driver, stole Goya’s portrait of the Duke of Wellington from the National Gallery in London. It was the first (and remains the only) theft in the Gallery’s history. Kempton sent ransom notes saying that he would return the painting on condition that the government invested more in care for the elderly — he had long campaigned for pensioners to receive free television. What happened next became the stuff of legend. Only 50 years later did the full story emerge — Kempton had spun a web of lies. The only truth was that he was a good man, determined to change the world and save his marriage — how and why he used the Duke to achieve that is a wonderfully uplifting tale.

Safety In Our Cinema:

As you return to our physical space, your health and safety is our top priority. To learn about all the steps we have taken to prepare and our new procedures visit our Welcoming You Back page.

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¡Viva Maestro!

“In front of the orchestras he leads, Dudamel is a live wire, his signature curls bouncing with each wave of the wand. And when the music stops, Dudamel turns his passion for his profession toward advocacy, supporting programs that help young Venezuelan musicians develop professionally.” – NY Times

Synopsis:

Conductor Gustavo Dudamel sets the music world afire with his original interpretations of the greatest symphonic works. He is named one of Time’s “100 Most Influential People” and serves as music and artistic director of the Los Angeles Philharmonic. Amidst social unrest in his native Venezuela, he devises an innovative concert that celebrates the power of art to renew and unite.

movie poster for Viva Maestro

Safety In Our Cinema:

As you return to our physical space, your health and safety is our top priority. To learn about all the steps we have taken to prepare and our new procedures visit our Welcoming You Back page.

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The Automat

 

“A charming new documentary is an ode to the grandeur and promise of the eateries…The film imparts some fascinating facts—at one point, 10% of Philadelphians were eating at Horn & Hardart daily—and convinces the viewer that Automats were an important part of the American social fabric. Though long gone, they are evidently not forgotten. In “At The Automat”, a new song Mr Brooks wrote for the film, he pays fond tribute to its famous coffee: “for just a shiny nickel, your tastebuds you could tickle, with that wonderful, magnificent, unbelievable, awesome coffee at the Automat.”
The Economist

“The delight of “The Automat”… is its blend of social and intellectual history with its anecdotal history—its evocation of the links between intention, practice, and experience; its depiction of a largely lost aesthetic of daily life.” – New Yorker

Synopsis:

Before fast food we had something better. Our grandparents told us stories of gathering around communal tables, sharing their lives, their struggles, and their dreams with strangers at The Automat. In the long awaited Horn & Hardart documentary relive the phenomena of America’s original and most beloved restaurant chain. The one hundred year Automat saga serves up never before-seen archival footage and photographs and a cast including celebrity customers, company executives, historians, and members of the Horn & Hardart families.

a woman peering into an automat

 

Safety In Our Cinema:

As you return to our physical space, your health and safety is our top priority. To learn about all the steps we have taken to prepare and our new procedures visit our Welcoming You Back page.

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Science on Screen: The Art and Science of Building Resilience
Real Art Ways Science on Screen® season invites you to experience the unique combination of a feature film and a relevant talk from a notable local figure in science.
Film: Resilience: The Biology of Stress & The Science of Hope

“An engrossing study of how adverse childhood experiences (or aces) can be linked to destructive behavior and medical diseases.” – Rogerebert.com

The child may not remember, but the body remembers.

The original research was controversial, but the findings re- vealed the most important public health findings of a gener- ation. RESILIENCE is a one-hour documentary that delves into the science of Adverse Childhood Experiences (ACEs) and the birth of a new movement to treat and prevent Toxic Stress. Now understood to be one of the leading causes of every- thing from heart disease and cancer to substance abuse and depression, extremely stressful experiences in childhood can alter brain development and have lifelong effects on health and behavior.

However, as experts and practitioners profiled in RESILIENCE are proving, what’s predictable is preventable. These physi- cians, educators, social workers and communities are daring to talk about the effects of divorce, abuse and neglect. And they’re using cutting edge science to help the next generation break the cycles of adversity and disease.

Pre-Film Talk | 6:30 PM 
Speaker: Dr. Maria Sirois

Dr. Maria Sirois is an inspirational speaker, consultant, and licensed psychologist who has worked in the fields of wellness and positive psychology for twenty years. As a positive psychologist (Psy.D.) she focuses on the resilience of the human spirit particularly when under chronic stress, during significant transitions, and/or feeling the shock of wholesale change. Known for her wisdom, authenticity and rampant humor, Maria brings a depth of experience in personal and leadership development for corporate and non‐profit professionals, as well as community members, parents, and those who serve in the health and wellness arenas. Her work in the medical, legal, human service, financial, technology and educational sectors focuses on building capacity and engagement around chronic stressors such as conflicting goals, difficult conversations, unrealistic expectations and moments of failure — using such moments to leverage sustained positive shifts in perspective and ability.

Aqua Science on Screen logo, with an S in a circle

Science on Screen is an initiative of the COOLIDGE CORNER THEATRE, with major support from the ALFRED P. SLOAN FOUNDATION.

Updates to Our Cinema:

As you return to our physical space, your health and safety is our top priority. To learn about all the steps we have taken to prepare and our new procedures visit our Welcoming You Back page.

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