Perfect Days at Real Art Ways

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Perfect Days

“A profound tale of finding peace, meaning, and beauty in life.” – Next Best Picture

“A humane, hopeful embrace of everyday blessing.” – Variety 

“A poem of extraordinary subtlety and beauty.” – Vox

96% on Rotten Tomatoes

Synopsis:

Hirayama seems utterly content with his simple life as a cleaner of toilets in Tokyo. Outside of his very structured everyday routine he enjoys his passion for music and for books. And he loves trees and takes photos of them. A series of unexpected encounters gradually reveal more of his past.

A deeply moving and poetic reflection on finding beauty in the everyday world around us.

Academy Award Nominee for Best International Feature Film

 

 

 

The Zone of Interest

“A landmark movie.” – The Times

“Breath-stopping.” – Time

“Screaming with fear and alarm and terribly necessary for its time.” – Vanity Fair

“…it is about the ways in which people close themselves off to destabilizing truths.” – Boston Globe 

“…a master class in how to show without showing.” – Wall Street Journal 

92% on Rotten Tomatoes

Synopsis:

The commandant of Auschwitz, Rudolf Höss, and his wife Hedwig, strive to build a dream life for their family in a house and garden next to the camp.

Oscar Winner for Best International Feature Film and Best Sound

 

 

 

Origin
Registration is now closed due to overwhelming response.
Schedule:

Reception at 4:30pm

Film at 5:30pm

Discussion at 8pm

“A brilliant, cinematic masterpiece.” – Forbes

“One of the most unusual and ingenious of recent screenplays.” – The New Yorker

“Rich in thought, ‘Origin’ is a dense, forceful masterwork, and, quite simply, the most radical film of DuVernay’s career.” – RogerEbert.com

“It will leave you speechless.” – Deadline

“Few American movies this year reach so high, so boldly.” – New York Times

Synopsis:

While grappling with tremendous personal tragedy, Isabel sets herself on a path of global investigation and discovery. Despite the colossal scope of her project, she finds beauty and bravery while crafting one of the defining American books of our time.

 

 

Music on Screen: River City Drumbeat

“The film listens for this community’s heartbeat, finding its steady pulse just as expected: healthy and strong.” – New York Times

“Stirring, bittersweet, and reflective.” – Boston Globe

100% on Rotten Tomatoes

Synopsis:

River City Drumbeat is a powerful and uplifting story of music, love, and legacies set in the American South. Edward “Nardie” White devoted his life to leading the African-American drum corps he co-founded with Zambia Nkrumah in Louisville, Kentucky three decades ago. Together they inspired youth from their West Louisville neighborhood to thrive by connecting them with the art and cultural traditions of their African ancestors.

River City Drumbeat follows this creative community of mentors, parents, and youth making their way in a world where systemic forces raise obstacles to fulfilling their dreams.

Featuring a performance from Hartford Proud’s Drill Drum and Dance Corp.
Sponsored by Suzanne Hopgood in honor of Frank Lord

 

 

Music on Screen: The Silence Before Bach

The Silence Before Bach is a movie in which to take refuge, and it abjures the summer heat of pop culture for a cool and lasting immersion in the miracles that people are and can create.” – The Boston Globe

“The engaging enigma of The Silence Before Bach demonstrates an artistic wisdom that is as satisfying as it is challenging.” – Seattle Times

“Provide[s] gorgeous lensing and art direction and some of the world’s most beautiful music.” – New York Post

“Like the music it celebrates, this is a film made in glory of the world.” – New York Times 

Synopsis:

Blending historical reconstruction with very loosely linked ‘dramatic’ scenes and documentary sequences, the film constitutes a playful, painterly sequence of variations on the argument that Johann Sebastian changed the way the world hears thanks to his extraordinary ear for harmony.

Come early and enjoy the Bach Cello Suites live in our lobby performed by Celeste Cumming, starting at 4:30pm.
Sponsored by Suzanne Hopgood in honor of Frank Lord.

 

 

Queen of the Deuce
This film showing is part of the Mandell JCC’s 28th Annual Phyllis Hoffman Hartford Jewish Film Festival!

Mandell JCC's film festival logo.

“The story is unique and ultimately illuminates not just an odd time in the history of 42nd Street (“the Deuce”) but an unusual tale of the American Jewish experience.” – Orlando Weekly

“The true genius of Queen of the Deuce is how one woman’s life story opens up into a multitude of perspectives, allowing all the voices in her family to share in this portrait of the immigrant experience.” – That Shelf

Synopsis:

From the late ’60s to the mid ’80s, in the notorious Times Square area known as the Deuce, the eccentric, Greek-born Chelly Wilson built a porn cinema empire and a reputation as one of the most savvy and charismatic figures on the scene. With a cigarette in hand and bags of money stashed in the corner, Chelly regularly held court in her bunkerlike apartment above the legendary 8th Avenue all-male Adonis Theatre, summoning a lively cabal of associates, entertainers and fellow poker players, with her female lovers always hovering and grandchildren often underfoot. Yet few in her circle knew of the risks she took to get there. Queen of the Deuce reveals Chelly’s origins as a taboo-breaking entrepreneur and traces the fraught events that lead to her departure from Europe on the eve of war, and the unconventional trajectories of her American business ventures and personal life. With the rise of feminism, the sexual revolution and gay pride in frame, Queen of the Deuce is an alternate take on cultural history as seen through Chelly Wilson’s empowering story of survival.

This film showing is part of the Mandell JCC’s 28th Annual Phyllis Hoffman Hartford Jewish Film Festival!

 

The Boys in the Boat

“A handsome, stirring, yet untaxing dose of underdog-sports uplift.” – Washington Post

“A film that often feels like one has walked into an oil painting: well-crafted, lovely to look at, and rather old-fashioned.” – Associated Press

“When people say ‘they don’t make movies like that anymore,’ this is the kind of movie they’re talking about.” – RogerEbert.com

Synopsis:

The Boys in the Boat is a sports drama based on the #1 New York Times bestselling non-fiction novel written by Daniel James Brown. The film, directed by George Clooney, is about the 1936 University of Washington rowing team that competed for gold at the Summer Olympics in Berlin. This inspirational true story follows a group of underdogs at the height of the Great Depression as they are thrust into the spotlight and take on elite rivals from around the world.

 

 

Community Film Screenings: In Honor of Martin Luther King, Jr. Day

 

In honor of Martin Luther King Jr., you are invited to experience a day of film programming and community building. Free admission!

Come for one film or stay all day!

Programming
11 AM | Mighty Times: The Children’s March (40 min.)

The mostly unheard story of the youth of Birmingham, Alabama, who braved fire hoses police dogs and jail in 1963 to bring segregation to its knees.

This film is a part of our Film Field Trip Program. All children are welcome. (Sensitive images are used in the film).

Hall will lead those present in a discussion about Mighty Times: The Children’s March after the film. 

12:30 PM | The First Rainbow Coalition (55 min. Suitable for teens and adults.)

This film charts the history and legacy of a groundbreaking multi-ethnic coalition, “The Rainbow Coalition” that rocked Chicago in the 1960s. It sparks new dialogue about the 1960s, providing an unparalleled platform for contemporary discussions on race and class in an increasingly divided United States.

1:30-2:30 PM | Guided Discussion led by Film Facilitator Derek Hall

Hall will lead those present in a discussion about The First Rainbow Coalition 

2:30PM | Rustin (106 min. PG-13)

This 2023 biographical film tells the story of the charismatic, gay civil rights activist Bayard Rustin. Despite incredible odds, he managed to organize the March on Washington in 1963, one of the high points of the civil rights movement in the United States.

Art-Making Activities Throughout the Event!

There will be a table with art activities open throughout the event! Great for all ages – drop in at any time!

Lunch

Bagged lunch will be available for purchase or bring your own lunch! $5 donation recommended.

About Derek Hall:

Derek Hall is a dynamic anti-racist intergroup dialogue facilitator, public speaker, and activist committed to challenging beliefs and institutional culture rooted in systemic racism and other forms of oppression. Derek has worked in the diversity, equity, and inclusion field for over fifteen years, partnering with public and private school systems, for profit and non-profit organizations both locally and nationally.

His passion for decolonized education, human connection, and implementation of racial equity strategies has inspired sustainable change at the internal, interpersonal and institutional levels within the organizations he works with. Derek uses his gifts of facilitation, storytelling and community building to increase the racial & social consciousness of individuals and organizations.

A man staring into the camera wearing a black hooded sweatshirt and a yellow beanie.

Thousands of students view these films in Real Art Ways’ Film Field Trip Program. 

American Fiction

“…a rousing success that got me thinking about my own experiences.” – The Boston Globe 

“One of the best and boldest American comedies in years with a dynamite performance by an Oscar-ready Jeffrey Wright.” – ABC News

“The best picture of the year.” – Washington Post 

92% on Rotten Tomatoes

Synopsis:

American Fiction confronts our culture’s obsession with reducing people to outrageous stereotypes. Jeffrey Wright stars as Monk, a frustrated novelist who’s fed up with the establishment profiting from “Black” entertainment that relies on tired and offensive tropes. To prove his point, Monk uses a pen name to write an outlandish “Black” book of his own, a book that propels him to the heart of hypocrisy and the madness he claims to disdain.

Nominated for 5 Academy Awards!

Best Picture

Best Actor – Jeffrey Wright

Best Supporting Actor – Sterling K. Brown

Best Adapted Screenplay

Best Original Screenplay

 

 

Poor Things

“Often beautiful, never pretty, occasionally creepy and perpetually surprising, Poor Things lives in Stone’s fiery eyes; her performance is, to borrow Bella’s words, a changeable feast.” – Seattle Times

“The best movie of the year.” – RogerEbert.com

“You won’t know what hit you, which is just one reason why I’m rabid to see it again.” – ABC News

“Both literary and cinematic, Poor Things gives the audience everything we can ask for in a film — beauty and wonder; hefty ideas and clever storytelling; twists, shocks and laughter.” – Wall Street Journal 

“mordantly funny, whimsical and wacky, unprecious and unpretentious, filled with so much to adore that to try and parse it all here feels like a pitiful response to the film’s ambitions.” – indieWire

93% on Rotten Tomatoes

Synopsis:

From filmmaker Yorgos Lanthimos and producer Emma Stone comes the incredible tale and fantastical evolution of Bella Baxter (Stone), a young woman brought back to life by the brilliant and unorthodox scientist Dr. Godwin Baxter (Willem Dafoe).

Under Baxter’s protection, Bella is eager to learn. Hungry for the worldliness she is lacking, Bella runs off with Duncan Wedderburn (Mark Ruffalo), a slick and debauched lawyer, on a whirlwind adventure across the continents. Free from the prejudices of her times, Bella grows steadfast in her purpose to stand for equality and liberation.

 

 

Maestro

“A fond character study that luxuriates in its subject’s livewire personality while acknowledging how exasperating and exhausting he could be.” – BBC.com

“Engrave an Oscar for Bradley Cooper for his heart-full-to-bursting tour de force as Leonard Bernstein. Alive with glorious music, the film resonates with the love the bisexual legend feels for the wife (a sublime Carey Mulligan) who lives with his demons.” – ABC News

“…Maestro is the real deal: the rousing, complex and heartbreaking rhapsody its subject deserves.” – Financial Times

“An absolute marvel. One of the finest films of the year.” – Rolling Stone

“Bradley Cooper exerts and exhausts his soul.” – IndieWire

Golden Globe nominee for Actor in a Drama Motion Picture, Actress in a Drama Motion Picture, and Drama Motion Picture.

Synopsis:

Maestro is a towering and fearless love story chronicling the lifelong relationship between Leonard Bernstein and Felicia Montealegre Cohn Bernstein.

Starring Bradley Cooper and Carey Mulligan, this film is a love letter to life and art. At its core, it’s an emotionally epic portrayal of family and love.

 

 

Day With(out) Art 2024: Red Reminds Me…
Above image: 

Mariana Iacono and Juan De La Mar, El VIH se enamoró de mi (HIV Fell in Love With Me), 2024. Commissioned by Visual AIDS for Red Reminds Me…

 

Day With(out) Art 2023: Red Reminds Me…

Real Art Ways is proud to partner with Visual AIDS for Day With(out) Art 2024 by presenting Red Reminds Me, a program of seven videos reflecting the emotional spectrum of living with HIV today. 

Red Reminds Me… will feature newly commissioned videos by Gian Cruz (Philippines), Milko Delgado (Panama), Imani Harrington (USA), David Oscar Harvey (USA), Mariana Iacono and Juan De La Mar (Argentina/Colombia), Nixie (Belgium), Vasilios Papapitsios (USA).

 

Through the red ribbon and other visuals, HIV and AIDS has been long associated with the color red and its connotations—blood, pain, tragedy, and anger. Red Reminds Me… invites viewers to consider a complex range of images and feelings surrounding HIV, from eroticism and intimacy, mothering and kinship, luck and chance, memory and haunting. The commissioned artists deploy parody, melodrama, theater, irony, and horror to build a new vocabulary for representing HIV today.

The title is drawn from the words of Stacy Jennings, an activist, poet, and long-term survivor with HIV, who writes: “Red reminds me, red reminds me, red reminds me…to be free.”* Linking “red” to freedom, Jennings flips the usual connotations of the color and offers a new way of thinking about the complexity of living with HIV. Just as a prism bends and refracts light, Red Reminds Me…, expands the emotional spectrum of living with HIV. It shows us that while grief, tragedy, and anger define parts of the epidemic, the full picture contains deeper, nuanced, and sometimes contradictory feelings.

 

This video will be continuously screening (on loop) from December 2, – December, 4 from 1pm-7pm in our Video Gallery.  

Visual AIDS is a New York-based non-profit that utilizes art to fight AIDS by provoking dialogue, supporting HIV+ artists, and preserving a legacy, because AIDS is not over.

*Jennings recites this poem in the video Here We Are: Voices of Black Women Who Live with HIV, created by Davina “Dee” Conner and Karin Hayes for Day With(out) Art 2022: Being and Belonging.

 

Video Synopses

 

Gian Cruz, Dear Kwong Chi

 

In Dear Kwong Chi, Cruz creates a video letter to the late artist Tseng Kwong Chi, drawing from the experience of living with HIV in diaspora. Across continents and decades, Kwong Chi’s legacy acts as an anchor for Cruz amongst limited representations of Asian narratives in AIDS histories.

 

Milko Delgado, El Club del SIDA

 

Taking its title from a sensational telenovela episode, El Club del SIDA cycles through a lifetime of heavily stigmatizing images about HIV and AIDS. Delgado plays with multiple aesthetics—documentary, horror, comedy—to explore the various relationships he has had with AIDS over the course of his life. 

 

Imani Harrington, Realms Remix

 

Through a collage of poetry and archival images, Realms Remix traces memories and sensations of an AIDS past that continue to haunt the present.

 

David Oscar Harvey, Ambivalence: On HIV & Luck

 

Ambivalence: On HIV & Luck tackles the disorienting experience of existing with a manageable condition that our present culture insists on representing in terms of its bleak past. Interested in figuring HIV differently, the film presents a series of visual puns merging the iconography of HIV and AIDS with popular symbols of luck. 

 

Mariana Iacono and Juan De La Mar, El VIH se enamoró de mi (HIV Fell in Love With Me)

 

HIV Fell in Love With Me tells the story of a woman with HIV embracing her sexuality and reconnecting with her pleasure. Filmed with an erotic aesthetic, the video reflects a pursuit towards sexual justice and autonomy for women living with HIV.

 

Nixie, it’s giving

 

Through home videos, archival footage and textile landscapes, it’s giving explores various forms of family across time. The artist’s domestic life is paired with archival video of queer and trans chosen families mirroring small acts of joy, resistance, and sustenance. What does it mean for an HIV+ person, who carries the history and present of the AIDS-crisis in their DNA, to foster new life?

 

Vasilios Papapitsios, LUCID NIGHTMARE

 

Papapitsios describes LUCID NIGHTMARE as a “meditation on how we can(not) heal in the environments that make us sick, from the perspective of an infected neurodivergent faggot.” Combining auto-fiction with magical realism, Papapitsios humorously reimagines narratives around mental health and chronic illness.

 

Milko Delgado, El Club del SIDA, 2024. Commissioned by Visual AIDS for Red Reminds Me…

 

Artist Biographies

Gian Cruz (he/him) is a Filipino artist, researcher, and arts worker. His artistic practice is rooted in photography, art theory, and criticism and intersects with cinema, performance, and HIV/AIDS activism within Southeast Asian frameworks. He has worked with the National Museum of Modern & Contemporary Art, Korea; Jeu de Paume, Paris; Picto Foundation, Paris; Palais Galliera, Paris; Musée de la Mode de la Ville de Paris; La Biennale di Venezia; the Japan Foundation; Haus der Kulturen der Welt, Berlin; Bienal de Curitiba; Blackwood Gallery, Toronto; Pride Photo Award, Amsterdam; and 4A Centre for Contemporary Art, Sydney.

Juan De La Mar (they/them) is a lawyer, HIV+ activist, and artist from Colombia. Their documentary debut, De Gris a POSITHIVO, has won 16 awards and screened at 52 festivals worldwide. They have performed at the Bogotá Museum of Modern Art (MAMBO) and were selected as the 2024 HIV Culture Residency at the Centro de Arte Contemporáneo de Quito. As an activist, they have worked with the Latin American HIV-Positive Youth Network (J+LAC) and they currently coordinate Bogota’s Fast-Track Cities strategy to accelerate the response to HIV/AIDS.

Milko Delgado (he/him) is a transdisciplinary artist whose cultural practice integrates various forms of research and knowledge production, primarily within the realms of visual arts, video, performance, pedagogy, and cultural management. Delgado’s work explores the intersections between the boy and nature, opening dialogue about identity, coloniality, extraction, health, and land. Delgado graduated from the International School of Film and Television – EICTV in Cuba. His work has been exhibited at the Museo de Arte Contemporáneo de Panamá, Teorética (Costa Rica)/Fresh Milk (Barbados), New York Latin American Art Triennial, and the Center for Visual Arts (Denver).

Imani Harrington (she/her) is a writer, author and conceptual artist who has documented on the conditions of women since the age of 25. She was an editor for the anthology Positive/Negative: Women of Color and HIV/AIDS: A Collection of Plays (2002) and her play Love & Danger (1995) was among the first to address women and HIV. Her other titles include The Communal Plays and Other Narratives, On Writing I, ISSHOWAT, andHouse of Leaven.

David Oscar Harvey (he/him) is a psychotherapist and psychoanalysist-in-training, living in Philadelphia. His essay film on HIV criminalization, RED RED RED, has screened at film festivals and art spaces internationally. His writing on identity, HIV/AIDS and film and media have appeared in numerous publications. Harvey is an active member in the artist and activist collective What Would an HIV Doula Do?.

Mariana Iacono (she/her) is a social worker, media activist, and educator who works with networks of people living with HIV in Latin America and the Hispanic Caribbean for more than 10 years. She is a co-founder of several HIV organizations in Argentina including Argentine Network of Positive Youth and Adolescents (RAJAP), RAP+30, and Latin American HIV-Positive Youth Network (J+LAC). She currently manages promotion and communication strategy for J+LAC, focusing on feminist issues and building a coalition of young people towards Cairo+20. Iacono’s writing has been published in Volcánicas, Midia Ninja, Vice, Anfibia, Tiempo Argentino, Hoja Blanca, and Revista Nómada.

nixie (she/they) is a transfemme HIV+ multimedia artist, writer, and parent, based in Belgium. Her artwork has addressed HIV and genealogy, consent in gay spaces, the joy of parenthood, mourning, and the celebration of loss. She works mainly through mediums of text, video, performance, textile and painting.

Vasilios Papapitsios (they/he) is an LA-based writer, filmmaker and artist originally from the South whose work transmutes stigma and trauma with a flare for the fantastical. Vasilios has contributed to projects for MasterClass, AwesomenessTV, and Emmy-nominated intersectional media platform OTV – Open Television. They were recognized as a Notable Writer in the 2021 OUTFEST screenwriting lab and as an artivist storyteller in residence with UCLA’s Through Positive Eyes. Vasilios creates very strange, frank, and whimsical worlds for us to wander off in, blending genres and blurring boundaries within advocacy, education, and entertainment.

Exhibition on Screen: Klimt and the Kiss

“The film – the latest in the Exhibition on Screen series – blends beautiful footage of the painting and its setting in the Belvedere Museum in Vienna with insightful criticism from curators and scholars to bring the artwork to life. There is a lot to unpack.” – The Guardian 

Synopsis:

This documentary delves into the detail and passion surrounding Gustav Klimt’s exquisite artwork, his scandalous life, the decadent Art Nouveau movement, and the painting that has become one of the most recognized and reproduced in the world—The Kiss.

 

 

Nyad

“A portrait of the determination and grit—and self-absorption—possessed by athletes who push themselves to their limits.” – RogerEbert.com

“…will have you cheering.” – ABC News

“It is quite the tale of heroism and courage in the face of adversity, as well as the importance of teamwork and never giving up.” – Entertainment Weekly 

Synopsis:

A remarkable true story of tenacity, friendship and the triumph of the human spirit, NYAD recounts a riveting chapter in the life of world-class athlete Diana Nyad. Three decades after giving up marathon swimming in exchange for a prominent career as a sports journalist, at the age of 60, Diana (four-time Academy Award nominee Annette Bening) becomes obsessed with completing an epic swim that always eluded her: the 110 mile trek from Cuba to Florida, often referred to as the “Mount Everest” of swims. Determined to become the first person to finish the swim without a shark cage, Diana goes on a thrilling, four-year journey with her best friend and coach Bonnie Stoll (two-time Academy Award winner Jodie Foster) and a dedicated sailing team.

 

 

Dream Scenario

“A darkly funny, and often truthful, look at the rapid hysteria of our real-world cancel culture.” – Huffington Post 

“It’s undeniably enjoyable and sharp, a reminder that a great idea can go a long way.” – RogerEbert.com 

“This is an ambitious, often provocative interrogation of masculinity, cancel culture, social media, and the power of celebrity through a humorous lens.” – Screen International

Synopsis:

Hapless family man Paul Matthews (Nicolas Cage) finds his life turned upside down when millions of strangers suddenly start seeing him in their dreams. But when his nighttime appearances take a nightmarish turn, Paul is forced to navigate his newfound stardom, in this wickedly entertaining comedy from writer-director Kristoffer Borgli (Sick of Myself) and producer Ari Aster.

 

 

Golda

“Never less than compelling, her [Helen Mirren] work here feels true from scene to scene.” – Financial Times

Golda is unusually blunt about the internal devastation that comes with overseeing military operations.” – Wall Street Journal 

“For those with a particular interest in Meir, Israel, or 20th century Middle East history, there’s enough here to hold a viewer’s attention.” – ReelViews

“Mirren portrays Meir in her darkest days at the height of the 1973 Yom Kippur War with empathy and loving subtlety. It’s hard to imagine anyone doing it better…” – San Francisco Chronicle

Synopsis:

Golda is a ticking-clock thriller set during the tense 19 days of the Yom Kippur War in 1973. Israeli Prime Minister Golda Meir (Helen Mirren), faced with the potential of Israel’s complete destruction, must navigate overwhelming odds, a skeptical cabinet, and a complex relationship with US Secretary of State Henry Kissinger (Liev Schreiber), with millions of lives in the balance. Her tough leadership and compassion would ultimately decide the fate of her nation and leave her with a controversial legacy around the world.

 

 

Joan Baez I Am a Noise

“This elaborate documentary navigates adroitly through the professional and the personal aspects of a very full life.” – Deadline Hollywood Daily

“Directors Miri Navasky, Karen O’Connor and Maeve O’Boyle finally do an impressive and affecting job of hitting all those marks, in a film whose chief sin may just be that it doesn’t run about a half-hour longer.” – Variety 

“Anyone with an interest in the key artists of the counterculture movement will find much to appreciate here.” – Hollywood Reporter

Synopsis:

Neither a conventional biopic nor a traditional concert film, JOAN BAEZ I AM A NOISE is a raw and intimate portrait of the legendary folk singer and activist that shifts back and forth through time as it follows Joan on her final tour and delves into her extraordinary archive, including newly discovered home movies, diaries, artwork, therapy tapes, and audio recordings. Baez is remarkably revealing about her life on and off stage — from her lifelong emotional struggles to her civil rights work with MLK and a heartbreaking romance with a young Bob Dylan. A searingly honest look at a living legend, this film is a compelling and deeply personal exploration of an iconic artist who has never told the full truth of her life, as she experienced it, until now.

 

 

The Holdovers

“[A] consistently smart, funny movie about people who are easy to root for and like the ones we know.” – RogerEbert.com

“It’s the warmest cinematic experience you’ll have all year.” – The New York Post

“The vibes are immaculate from the start and only grow more so as the characters gradually start to become as detailed as the world that The Holdovers constructs around them.” – indieWire

Synopsis:

This film follows a curmudgeonly instructor (Paul Giamatti) at a New England prep school who is forced to remain on campus during Christmas break to babysit the handful of students with nowhere to go. Eventually he forms an unlikely bond with one of them — a damaged, brainy troublemaker (newcomer Dominic Sessa) — and with the school’s head cook, who has just lost a son in Vietnam (Da’Vine Joy Randolph).

 

 

Killers of the Flower Moon

“Both a staggering piece of cinema and an urgent social probe and trial that is universal despite its historic and cultural specificity.” – The New Indian Express 

“…it shocks, resounds, and haunts.” – Vanity Fair 

“It’s a masterpiece.” – Rolling Stone

“The best performance of Leonardo DiCaprio’s entire career.” – indieWire

97% on Rotten Tomatoes

Synopsis:

Based on David Grann’s broadly lauded best-selling book, “Killers of the Flower Moon” is set in 1920s Oklahoma and depicts the serial murder of members of the oil-wealthy Osage Nation, a string of brutal crimes that came to be known as the Reign of Terror.

Starring: Leonardo DiCaprio, Robert De Niro, and Brendan Fraser

 

Piaffe

“The occasional exposure flares and soundtrack sync pops reminds us this is a movie, but also that we’re watching what’s raw and possible in art and life, that it’s good to be open to wherever images and sounds may take us.” – Los Angeles Times 

“The film’s provocations have a playfulness and generosity that are enormously appealing.” – The New York Times 

“A narrative that maintains a stolid demeanor even as it takes the oddest turns.” – RogerEbert.com

91% on Rotten Tomatoes

Synopsis:

Introverted and unqualified, Eva is unexpectedly tasked with foleying the sound for a commercial featuring a horse. As she slowly acclimates to the new job, her obsession with creating the perfect equine sounds grows into something more tangible. Eva harnesses this new physicality, becoming more confident and empowered, and lures an unassuming botanist into an intriguing game of submission. Shot on lush 16mm, Piaffe is a visceral journey into control, gender, and artifice.

In German with English subtitles.