Riverwood Poetry Series at Real Art Ways

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Riverwood Poetry Series
 
Riverwood Poetry Series will host Mark Doty and Nadia Sims on Wednesday, April 8, 2026, at 7 PM, in The Avery Theater at The Wadsworth, 29 Atheneum Square North in Hartford.
 

Mark Doty has published ten books of poems, including Fire to Fire: New & Selected Poems, which won the National Book Award for Poetry in 2008. He is the author of six books of nonfiction prose, most recently What is the Grass: Walt Whitman in My Life. His work has been honored by the National Book Critics Circle Award, the T.S.Eliot Prize in the U.K., the Stonewall Book Award, the Witter Bynner Prize from the American Academy of Arts and Letters, a Whiting Writers Award, and fellowships from the Guggenheim and Ingram-Merrill Foundations and the National Endowment for the Arts. He has taught creative writing programs at Rutgers, Stanford, Princeton, Iowa, Columbia, and New York University. He lives in the Hudson River Valley.

 

Nadia Sims is the Poet Laureate for the Town of Manchester, Connecticut. Currently, Sims is focused on spreading her message of grace across Connecticut, Massachusetts, and New York. Her three books, A Soft Place to Land, We Know the Dark, and Apostle, Interrupted, are available to buy on Amazon. 

 

Instructions for the location of this event:

Enter through the side entrance of the museum. An elevator is available to the theater.

You can pay for parking in the Front Street South Garage at 62 Front Street. Free street parking is available after 6 PM. There will not be an open mic during this event.

The authors’ books will be available to buy for book signing and conversation. Beer, wine, and soft drinks will be available for purchase at the cash bar.

Bring a friend! Admission to the readings is free.

About Riverwood Poetry Series

The Riverwood Poetry Series, Inc., is a non-profit arts organization committed to promoting and appreciating poetry in Connecticut. RPS, Inc. is invested in providing entertaining and thought-provoking programming while responding to the needs of our neighbors through community outreach and collaboration. From their Facebook page: “The Riverwood Poetry Series has innovated many programs since our inception, all free to the public. We provide entertaining and thought-provoking poetry in a relaxed atmosphere.” 

Old Growth Forest: Nature’s Biotic Water Pump

 

UPDATE as of Monday, 2/23: We will reschedule this event due to the unsafe weather conditions of the storm. Please stay tuned for the new date that will be announced soon. Thank you for understanding, and stay safe!

A New England Forests film, directed by naturalist, local nature documentary filmmaker, and friend of Real Art Ways, Ray AsselinOld Growth Forest: Nature’s Biotic Water Pump is the next film in Asselin’s New England Forests series for America 250.

The free screening will take place on Monday, February 23, at Simsbury Public Library and is co-sponsored by the Simsbury Grange and Simsbury Land Trust. 

The film will be followed by a Q&A with Ray Asselin and Trinity College Professor and Hartford County’s Old Growth Forest Network Coordinator, Susan A. Masino.

Register here to attend.

Ray has screened various projects at RAW over the years, including MARVEL OF SEEDS, THE LOST FORESTS OF NEW ENGLAND, and the BEAVER POND WILDLIFE series.

 

 

Have you ever thought about where fresh water comes from? How it gets here? Yes, rainfall brings it, but do you know how and why rain falls across the breadth of the land? Or possibly, why it doesn’t?

 

For decades now, we’ve been hearing considerable discussion of how greenhouse gases, particularly CO2, cause climate change. What has been almost totally ignored is the effect that alteration of land cover has on our climate. It’s not just about carbon, and never was. The greenhouse gas effect is just one half of the climate change story. Land cover change is the other half, and just as important.

 

Keeping the land hydrated is crucial to terrestrial life, but that lesson has been learned the hard way. Many cultures have destroyed the very thing that makes the land habitable… forests. Places such as Egypt, Africa, Australia, and others have become deserts because their forests were cut to the point where the hydrological cycle was disrupted; the soil dried out and could not recover on its own (ie, it became a “landscape trap”).

 

That destructive behavior is still happening today in places like Canada, America, Chile, and the Amazon, putting those places also on the trajectory to desertification. 

 

This film, together with “The Return of Old Growth Forests,” explains the role that forests play in making Earth a place where life thrives.

The 2nd Annual Hartford Film Showcase
 

You’re invited to the 2nd annual Hartford Film Showcase!

Presented by The Hartford Film Foundation, hosted at Cinestudio, in partnership with Real Art Ways, the showcase is an all-day event featuring some of Hartford’s filmmaking talent!

Hartford Film Company presents short and feature films spanning various styles and genres, made in Hartford or by filmmakers in the Hartford area. Stay for a filmmaker panel and talkback to learn how these films were made and get to know some of the creative talent in this region.

Cinestudio, 300 Summit Street, Hartford

Saturday, February 7, Noon-8 pm

While the event is free and open to the public, we recommend that you reserve your tickets in advance.

Learn more about the showcase and RSVP here.

This showcase is made possible by the generous support of the Greater Hartford Arts Council.

Program schedule:

  • 11:30a – Doors Open

  • 12:00p – Short Films Block

    • Finding Pa by Enrique Lebron

    • Flashing Lights by Madonna Lewis

    • Seguimos Aqui by Jon Cruz

    • This Is for the Best by Derrick Christie

    • Weight of a Warrior by Roodley Merilo

    • Mag 2 – Do Not Open by Wally Sample

    • The Mask by Octavius McGhee-Kelly

    • The Knock Knock Game by Mac Hendrickson

  • 2:00p – Short Films Discussion Moderated by Hartford’s Director of Arts and Culture Taneisha Duggan

  • 2:30p – Free lunch provided by Red Rock Tavern in Hamlin Hall

  • 3:30p – Screening Episodes 1 + 2 of The Artist, followed by a talkback, moderated by TJ Noel-Sullivan

  • 6:00p – “Special Sneak Peek Screening”

  • 8:00p – Event Ends

BLKNWS: Terms & Conditions (Screening & Audience Discussion)

 

Please join us for a special screening on Friday, January 2nd, at 7 pm, and stay for an audience activation and discussion facilitated by Rodneyna Hart, Deputy Director of The Amistad Center for Art & Culture. 

For advance tickets, please click here.

If you’ve watched the film, you’re welcome to join the audience discussion post-screening (without a ticket). We’ll host the discussion in our Real Room gallery starting at 9pm. All are welcome.

Rodneyna M. O. Hart is a community-centered cultural leader with nearly 20 years of experience advancing museums and arts organizations as platforms for education, equity, and public engagement. As Deputy Director of The Amistad Center for Art & Culture in Hartford, Connecticut, she plays a central role in developing mission-driven programs, exhibitions, and partnerships that expand access to Black art, history, and cultural expression for diverse and intergenerational audiences.

Hart works closely with artists, educators, civic leaders, and community organizations to create programming rooted in collaboration, cultural accountability, and shared stewardship. Her leadership focuses on strengthening institutional sustainability while ensuring museums remain responsive, welcoming, and relevant to the communities they serve.

Previously, Hart served as Museum Division Director for the Louisiana State Museum system, overseeing four museums statewide. In that role, she expanded public programming, increased attendance, strengthened earned revenue, and advanced equitable access to cultural resources across urban and rural communities. Across her career, she has consistently centered community relevance, operational excellence, and public trust.

Hart holds a BFA in Studio Art and an MBA from Louisiana State University, bringing a rare blend of creative vision and fiscal acumen to her work. Appointed by the Governor to the Louisiana State Arts Council and Folklife Commission, she has helped shape cultural policy while advocating for artists, cultural workers, and community-based institutions.

“Khalil Joseph radically reimagines the world through a Black lens, while self-reflexively observing the difficulties of doing so. The film is a pulsing, essayistic docu-fiction piece that defies categorization.” – Variety

100% on Rotten Tomatoes

Adapted from Kahlil Joseph’s renowned video art installation, BLKNWS: Terms & Conditions is a distinctive cinematic experience that mirrors the sonic textures of a record album, weaving fiction and history in an immersive journey where the fictionalized figures of W. E. B Du Bois and Marcus Garvey join artists, musicians, Joseph’s family, and even Twitter chats, in a vision for black consciousness.

 

Riverwood Poetry Series
 
The series takes place in person on the second Wednesday of the month from September 2025 through May 2026. Each night begins with an open mic featuring readers with one poem (one page) and continues with a poetry reading featuring regionally or nationally known poets.

Riverwood Poetry Series @ Real Art Ways will host Charles Rafferty, Srini Mandavilli, Sherri Bedingfield, and Steven Ostrowski on Wednesday, January 7, 2025, at 7 pm at Real Art Ways, 56 Arbor Street, Hartford, Connecticut. There will be an open mic this month for the first ten poets who sign up. The authors’ books will be available for purchase during the book signing & conversation, and beer, wine, soft drinks, and snacks will also be available for purchase at concessions. Free admission. Bring a friend! Ample parking is available at Real Art Ways. 

 

Charles Rafferty is the author of 14 poetry books and chapbooks, most recently The Appendectomy Grin (BOA, 2025), A Cluster of Noisy Planets (BOA, 2021), The Problem With Abundance (Grayson Books, 2019) Something an Atheist Might Bring Up at a Cocktail Party (Mayapple Press, 2018), and The Smoke of Horses (BOA Editions, 2017). His stories have been collected in Saturday Night at Magellan’s (Fomite Press, 2013) and Somebody Who Knows Somebody (Gold Wake Press, 2021). His poems have appeared in Gettysburg Review, The New Yorker, O, The Oprah Magazine, Ploughshares, Prairie Schooner, Rhino, and The Southern Review. He has received grants from the National Endowment for the Arts and the Connecticut Commission on Culture and Tourism. Currently, he co-directs the MFA program at Albertus Magnus College and teaches in the Westport Writers’ Workshop. He lives in Sandy Hook, CT.

 

Srinivas Mandavilli is Chief of Pathology & Laboratory Medicine at Hartford Hospital and the author of the chapbook Gods in the Foyer (Antrim Books, 2016). His work has been featured in the anthologies Hum Aiseich Bolte (Trancscendent Zero Press, 2022) and Of Hartford in Many Lights (Grayson Books, 2024), as well as numerous literary journals, including Rattle, Poetry Wales, The Night Heron Barks, New Square, Modern Haiku, The Raven’s Perch, Verse Virtual, and Journal of the American Medical Association. Mandavilli is a two-time Pushcart Prize nominee and lives in Connecticut with his wife, Bela.

 

Sherri (Sheryll) Bedingfield worked as a family therapist and psychotherapist for over 30 years. She has served on the Board of Riverwood Poetry Series held at Real Art Ways in Hartford, Connecticut, and she has co-hosted Bloomfield Library & Wintonbury Poetry Series. Bedingfield has volunteered, is a board member with Hartford Creative Contest for the last eight years, working with Hartford students in grades 4-12. Bedingfield is the author of two previous poetry collections: Transitions and Transformations and The Clattering: Voices from Old Forfarshire, Scotland. Her work appears in the Journal of Poetry Therapy and many other journals and anthologies.

 

Steven Ostrowski is a widely-published poet, fiction writer, painter and songwriter. His novel, The Highway of Spirit and Bone, was published in 2023 by Lefora Publications and has been called “…a literary road trip for the ages.” His poetry chapbook, Persons of Interest, won the 2021 Wolfson Chapbook Prize and was published in 2022. Steven and his son Ben coauthored a full-length collaboration called Penultimate Human Constellation, published in 2018 by Tolsun Books. Steven’s newest book of poems, Life Field, was published in early 2024 by Impspired Press (U.K.). He is Professor Emeritus at Central Connecticut State University. 

 

About Riverwood Poetry Series The Riverwood Poetry Series, Inc., is a non-profit arts organization committed to promoting and appreciating poetry in Connecticut. RPS, Inc. is invested in providing entertaining and thought-provoking programming while responding to the needs of our neighbors through community outreach and collaboration. From their Facebook page: “The Riverwood Poetry Series has innovated many programs since our inception, all free to the public. We provide entertaining and thought-provoking poetry in a relaxed atmosphere.” 

The Wild Robot (2024)

 

Tickets for this animated film screening include a cereal buffet. Come get your fix of nostalgic favorites…cut fruit and milk will be available. Coffee and tea (for exhausted parents) will be sold separately.

This is a family-friendly event – feel free to come in your pajamas. All ages are welcome!

“The lessons of The Wild Robot are simple, but the artistry it uses to get there is anything but. It’s the kind of kids movie that feels all too rare with its painterly backdrops and genuine earnestness. The whole family is likely to fall in love.” – The Daily Beast

“Family audiences rejoice! The Oscar for Best Animated Film belongs right here in this enchanting tale of a robot, voiced by the amazing Lupita Nyong’o, who finds herself playing mother to a baby goose. The result is spectacular in every sense of the word.” – ABC News (2024)

“It’s a breathtakingly human film — about a bird and a bot.” – New York Post

97% on Rotten Tomatoes

The epic adventure follows the journey of a robot–ROZZUM unit 7134, “Roz” for short – that is shipwrecked on an uninhabited island and must learn to adapt to the harsh surroundings, gradually building relationships with the animals on the island and becoming the adoptive parent of an orphaned gosling.

Old Forest or Young Meadow – The Marvel of Seeds

 

A New England Forests film, directed by naturalist, local nature documentary filmmaker, and friend of Real Art Ways, Ray Asselin.

 

This will be the theater premiere of Old Forest or Young Meadow – The Marvel of Seeds, and will kick off a series of Ray’s screenings for America 250 in the region. Ray has screened various projects at RAW over the years, including THE LOST FORESTS OF NEW ENGLAND and the BEAVER POND WILDLIFE series.

The screening will be followed by a Q&A with Ray Asselin and Trinity College Professor and Hartford County’s Old Growth Forest Network Coordinator, Susan A. Masino.

 

Have you ever thought about how, almost magically, a brown, bulldozed piece of land turns green with plants again? How do all those plants get there so quickly? Where did they come from? It’s amazing that nature has developed this process of having new plants always ready to go, in tiny embryonic packages. 

Seeds allow us to readily raise crops. They replenish the forests we take down. They make burned habitat or lava-covered ground productive again.

Plants, like all life forms, do not live forever, so they must reproduce. They cast themselves into the future via the seeds they produce, which can wait out poor or impossible growth conditions until such time as conditions become favorable. That could be days, weeks, years, even millennia.

Since the parent plant can’t move around to place seeds here and there, it has to have some other way to get the seeds dispersed. And that’s the subject of the new film, Old Forest or Young Meadow – the Marvel of Seeds.

Plants have evolved over many millions of years. In that time, nature has devised some fascinating methods for them to colonize new sites. Some are rather mundane, but others are intriguing; some are surprising and quite entertaining.

This film describes the evolution of plants on Earth, and features many of the fascinating ways seeds are dispersed. Some are curious, some are downright delightful. Some, we guarantee, you have never witnessed. 

Cinema Paradiso (1988)

 

This is the last movie we will show at Real Art Ways before we begin construction in 2026.

You’re invited to enjoy this classic Italian film with our staff and community of movie lovers in our cinema. 

A “farewell” affogato will be available for purchase. 

“Still rapturous after all these years, Cinema Paradiso stands as one of the great films about movie love.” – Washington Post

“A cinema-lover’s delight.” – Metro (UK)

“Where the original release was an essay in childish delight and adolescent longing, topped off by a muted coda implying that you really can go home again, the reissue is a fully realized epic of the heart.” – Boston Globe

“In the director’s cut, the film is not only a love song to the movies but it also is more fully an example of the kind of lush, all-enveloping movie experience it rhapsodizes.” – Houston Chronicle

Won the Oscar for Best Foreign Language Film at the 62nd Academy Awards in 1990.

90% on Rotten Tomatoes

Young Salvatore Di Vita (Salvatore Cascio) discovers the perfect escape from life in his war-torn Sicilian village: the Cinema Paradiso movie house, where projectionist Alfredo (Philippe Noiret) instills in the boy a deep love of films. When Salvatore grows up, falls in love with a beautiful local girl (Agnese Nano) and takes over as the Paradiso’s projectionist, Alfredo must convince Salvatore to leave his small town and pursue his passion for filmmaking.

Instantiations – May 3
Experience music imagined and created in real-time. This series runs from September 2025 to May 2026. Check out the full schedule here!

Performances from February through May 2026 will take place inside Hartford Ballroom, 56 Arbor Street, #411, Hartford CT. Doors open at 2 pm, concert begins at 2:30 pm.

To get inside 56 Arbor Street, please use the building door accessible from our parking lot that is closest to Orange Street. 

Enter this door next to Jumping Frog Bookstore (one of our colleagues will be onsite to let you into the building):

Follow the long hallway until you get to the lobby. An elevator will be on your right. Take the elevator to the 4th floor and Hartford Ballroom will be on your immediate right.

May 3 Performance:

Selendis Sebastian Alexander Johnson-vibraphone

Lemuel Marc-trumpet

Joe Morris-bass

Instantiations is made possible by the generous support of the Greater Hartford Arts Council, an organization that creates opportunities for artists and arts organizations, evolving the region into a premier destination for the arts, while building a sense of belonging for anyone looking to experience art.

Instantiations – Apr 12
Experience music imagined and created in real-time. This series runs from September 2025 to May 2026. Check out the full schedule here!

Performances from February through May 2026 will take place inside Hartford Ballroom, 56 Arbor Street, #411, Hartford CT. Doors open at 2 pm, concert begins at 2:30 pm.

To get inside 56 Arbor Street, please use the building door accessible from our parking lot that is closest to Orange Street. 

Enter this door next to Jumping Frog Bookstore (one of our colleagues will be onsite to let you into the building):

Follow the long hallway until you get to the lobby. An elevator will be on your right. Take the elevator to the 4th floor and Hartford Ballroom will be on your immediate right.

 

April 12 Performance:

Melanie Dyer-viola

 

Solomon Caldwell-bass

 

Joe Morris-guitar

Instantiations is made possible by the generous support of the Greater Hartford Arts Council, an organization that creates opportunities for artists and arts organizations, evolving the region into a premier destination for the arts, while building a sense of belonging for anyone looking to experience art.

Instantiations – Mar 15
Experience music imagined and created in real-time. This series runs from September 2025 to May 2026. Check out the full schedule here!

Performances from February through May 2026 will take place inside Hartford Ballroom, 56 Arbor Street, #411, Hartford CT. Doors open at 2 pm, concert begins at 2:30 pm.

To get inside 56 Arbor Street, please use the building door accessible from our parking lot that is closest to Orange Street. 

Enter this door next to Jumping Frog Bookstore (one of our colleagues will be onsite to let you into the building):

Follow the long hallway until you get to the lobby. An elevator will be on your right. Take the elevator to the 4th floor and Hartford Ballroom will be on your immediate right.

 

March 15 Performance:

L. Mixashawn Rozie-tenor, soprano saxophone, mandolin, voice

 

Michael Larocca-drums

 

Joe Morris-bass

Instantiations is made possible by the generous support of the Greater Hartford Arts Council, an organization that creates opportunities for artists and arts organizations, evolving the region into a premier destination for the arts, while building a sense of belonging for anyone looking to experience art.

Instantiations – Feb 15
Experience music imagined and created in real-time. This series runs from September 2025 to May 2026. Check out the full schedule here!

Performances from February through May 2026 will take place inside Hartford Ballroom, 56 Arbor Street, #411, Hartford CT. 

To get inside 56 Arbor Street, please use the building door accessible from our parking lot that is closest to Orange Street. 

Enter this door next to Jumping Frog Bookstore (one of our colleagues will be onsite to let you into the building):

Follow the long hallway until you get to the lobby. An elevator will be on your right. Take the elevator to the 4th floor and Hartford Ballroom will be on your immediate right.

 

February 15 Performance will feature:

Adam Matlock-accordion

 

Diane Buettner-bass clarinet, clarinet

 

Yoona Kim-Ajaeng

 

Joe Morris-guitar

 

Instantiations is made possible by the generous support of the Greater Hartford Arts Council, an organization that creates opportunities for artists and arts organizations, evolving the region into a premier destination for the arts, while building a sense of belonging for anyone looking to experience art.

Instantiations – Jan 18
Experience music imagined and created in real-time. This series runs from September 2025 to May 2026. Check out the full schedule here!
January 18 Performance:

 

UPDATE as of 1/16/2026: Hery Paz has come down with the flu and will not be with us on Sunday. Sam Newsome will be joining us for this performance. 

 

 

Hidemi Akaiwa-piano

 

Sam Newsome-saxophone

 

r

Joe Morris-bass

 

Instantiations is made possible by the generous support of the Greater Hartford Arts Council, an organization that creates opportunities for artists and arts organizations, evolving the region into a premier destination for the arts, while building a sense of belonging for anyone looking to experience art.

VISUAL AIDS: Meet Us Where We’re At

 

Real Art Ways is proud to partner with Visual AIDS for Day With(out) Art 2025 by presenting Meet Us Where We’re At, a program of six videos that forefront the experiences of drug users and harm reduction practices as they intersect with the ongoing HIV crisis.

This is screening for one day only, on Monday, December 1, in our video gallery. The videos will loop between 1-9 pm. 

Meet Us Where We’re At features newly commissioned videos by Kenneth Idongesit Usoro (Nigeria), Hoàng Thái Anh (Vietnam), Gustavo Vinagre & Vinicius Couto (Brazil/Portugal), Camilo Tapia Flores (Chile/Brazil), Camila Flores-Fernández (Peru/Germany), and José Luis Cortés (Puerto Rico).

These videos journey across a range of spaces, revealing the complexity of drug use. Several videos document the visible world of drugs—a harm reduction program in a Berlin park, a night out during Rio’s Carnival—while others reveal private, often hidden spaces where safety is found: bedrooms, underground clinics, and moments of connection between lovers.

Meet Us Where We’re At speaks not only to the variety of physical locations where contemporary harm reduction is practiced, but also to a broader shift: centering drug users as authors of their own experiences. Rooted in the philosophy of meeting people at their personal reality without judgment, the program affirms the full context of drug use—its pleasures, its risks, and its role in how people survive, care, and connect.

Harm reduction has long been central to the AIDS movement through practices like needle exchange and safe injection sites, and people who use drugs have been affected by HIV since the earliest days of the epidemic. This program brings their perspectives to the forefront, amplifying the voices of drug users as storytellers, cultural producers, and essential participants in the global response to HIV.

As this is a program centering harm reduction, it will contain depictions of sexual activity and drug use.

Kenneth Idongesit Usoro, Voices of Resilience

Voices of Resilience follows the lives of queer individuals and drug users living with HIV in Nigeria. Through personal interviews and experimental visual storytelling, the film shows the protagonists’ worlds as they seek out underground harm reduction services.

Hoàng Thái Anh, The Sisters’ Journey

Through a documentary style, The Sisters’ Journey explores the daily life of a transgender woman in Vietnam using drugs. The film delves into her fear of stigma, struggles she faces, and the vital role of harm reduction services and healthcare available to her.

Gustavo Vinagre and Vinicius Couto, chempassion

In the magical realist film, chempassion, a gay man reminisces about his orgy days and chem sex, contemplating what the future holds for himself and his close relationships.

Camilo Tapia Flores, Realce (Highlight)

Realce is a documentary short following two HIV-positive friends, DJ Deseo and porn actor Fernando Brutto, during one of their performances at Rio de Janeiro’s Carnival. The duo move through the streets of Rio and Carnival “blocos,” sharing their reflections on friendship, undetectability, their relationship with sex, and drug use within their own community.

Camila Flores-Fernández, Ghost in the Park

Ghost in the Park traces the narratives of the community of Görlitzer Park, an area in Berlin known for public drug use and trade. Highlighting “drug consumption buses” that promote safer use and aim to reduce HIV transmission among drug users, the space of the bus is taken as an axis through which the experiences and feelings of the community around the park are amplified.

José Luis Cortés, ¿Por qué tanto dolor? (Why so much pain?)

Instead of asking, “Why so much meth in the gay community?,” Cortés’s experimental film provokes the deeper question, “Why so much pain?” The film delves into the emotional and social wounds that fuel addiction and risk-taking behaviors.

Visual AIDS is a New York-based non-profit that utilizes art to fight AIDS by provoking dialogue, supporting HIV+ artists, and preserving a legacy, because AIDS is not over.

 

 

Riverwood Poetry Series
 
The series takes place in person on the second Wednesday of the month from September 2025 through May 2026. Each night begins with an open mic featuring readers with one poem (one page) and continues with a poetry reading featuring regionally or nationally known poets.

Riverwood Poetry Series @ Real Art Ways will host Jeffrey Harrison and Charles Douthat on Wednesday, December 10, 2025, at 7 pm at Real Art Ways, 56 Arbor Street, Hartford, Connecticut. There will be an open mic this month for the first ten poets who sign up. The authors’ books will be available for purchase during the book signing & conversation, and beer, wine, soft drinks, and snacks will also be available for purchase at concessions. Free admission. Bring a friend! Ample parking is available at Real Art Ways. 

Jeffrey Harrison is the author of six full-length books of poetry – The Singing Underneath (1988), selected by James Merrill for the National Poetry Series, Signs of Arrival (1996), Feeding the Fire (2001), winner of the Sheila Motton Prize from the New England Poetry Club, Incomplete Knowledge (2006), runner-up for the Poets’ Prize, Into Daylight, published in 2014 by Tupelo Press as the winner of the Dorset Prize, and Between Lakes, forthcoming from Four Way Books in September 2020. A selection of early poems, The Names of Things, was published in 2006 by The Waywiser Press in the U.K. A recipient of Guggenheim and NEA Fellowships, as well as other honors, his poems have appeared widely in magazines and journals, in Best American Poetry, The Pushcart Prize Anthology, Poets of the New Century, The Twentieth Century in Poetry, and other anthologies, and have been featured on The Writer’s Almanac, American Life in Poetry, Poetry Daily, and other online and media venues. He has taught at a number of colleges and universities, as well as at Phillips Academy, where he was Writer-in-Residence, and has visited many high schools to read from his work and discuss poetry with students. He lives in Massachusetts.

Charles Douthat is a poet, retired litigator, and visual artist. A second-generation Californian, he graduated from Stanford University, UC College of the Law in San Francisco, and received an MFA in Fine Arts from Warren Wilson College. Since 1982, he’s lived in Connecticut, where he practiced trial law and was honored multiple years with membership in Best Lawyers in America. He began writing poems and painting during a long midlife illness. Since then, his poems have been published in many magazines and journals, including Garrison Keillor’s Writer’s Almanac, and his paintings have been widely exhibited. Charles’ first book, Blue for Oceans, was awarded the 2011 PEN New England Award as the best book of poetry published that year by a New England author. J.D. McClatchy called it “a wise and haunted book.” In 2025, Unbound Editions Press published his second book of poetry, titled Again. Alan Shapiro called it “a book impossible not to love.” Charles’ son Ross is an author and columnist for the New York Times. His daughter Jeanne is a film producer at Made Up Stories, a production company in Los Angeles. He lives in Weston, Connecticut, with his wife, the artist Julie Leff.

About Riverwood Poetry Series The Riverwood Poetry Series, Inc., is a non-profit arts organization committed to promoting and appreciating poetry in Connecticut. RPS, Inc. is invested in providing entertaining and thought-provoking programming while responding to the needs of our neighbors through community outreach and collaboration. From their Facebook page: “The Riverwood Poetry Series has innovated many programs since our inception, all free to the public. We provide entertaining and thought-provoking poetry in a relaxed atmosphere.” 

Ceremonial Groundbreaking & Press Conference

 

Please join us as we break ground on our expansion and celebrate the future of Real Art Ways.

Program:

10:30 a.m. Light Refreshments

11:00 a.m. Press Conference and Ceremonial Ground Breaking 

11:30 a.m. – 1:30 p.m. Tours and other activities (more announcements coming soon)

Enjoy an open house that features what Real Art Ways does best: movies, art, music and community!

Registration is not required, but it will help with our planning. Please take a moment to RSVP

Details:

Connecticut Lieutenant Governor Susan Bysiewicz, Speaker of the House Matt Ritter, Hartford Mayor Arunan Arulampalam, and other guests will join Real Art Ways’ Executive Director Will K. Wilkins and Board Chair Dr. Yedalis Ruiz to discuss the project and the impact that this expansion will have on the community and the State of Connecticut.

Mixashawn, multi-instrumentalist and longtime friend and collaborator of Real Art Ways, will share a land acknowledgment.

Pianist Michael Carabello will perform.

The press conference will be followed by a ceremonial groundbreaking (involving lots of popcorn!) and tours of the space.

All are invited. This event is free to the public.

World AIDS Day Film Screening: Derek Jarman’s Blue (1993)

 

In recognition of World AIDS Day, you’re invited to a community screening of Derek Jarman’s final feature film, BLUE. A single field of radiant blue fills the screen while Jarman, facing AIDS in the final month of his life, speaks of illness, intimacy, and eternity. With only voice and color, BLUE becomes a meditation on presence and absence, on the body in decline, and the spirit in defiant bloom.

The 2:00 pm screening will take place at the Wadsworth Atheneum Museum of Art, 600 Main St, Hartford, CT 06103.

Admission is free, although advance registration is encouraged. (Please note, admission to the film screening does not include museum admission.)

Learn more by visiting the event page here. To register, click here.

Presented in partnership with Real Art Ways and Out Film CT with support from the Joseph and Robert Cornell Memorial Foundation Fund at the Wadsworth Atheneum. This special screening launches Glitter & Ash: A Derek Jarman Retrospective, a season-long tribute to one of queer cinema’s visionary artists. The retrospective unfolds alongside the exhibition Gerald Incandela: Photographic Drawings.

Also in the Wadsworth theater lobby, learn about HIV/AIDS-related resources in Connecticut and see exhibiting artist Gerald Incandela’s on-set photographs from Jarman’s Caravaggio, accompanied by a continuous screening of the 1986 film.

Instantiations – Dec 14
Experience music imagined and created in real-time. This series runs from September 2025 to May 2026. Check out the full schedule here!
December 14 Performance:

   

  Brad Barrett-cello

   

Beth Ann Jonesbass

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Joe Morris-guitar

Instantiations is made possible by the generous support of the Greater Hartford Arts Council, an organization that creates opportunities for artists and arts organizations, evolving the region into a premier destination for the arts, while building a sense of belonging for anyone looking to experience art.

Instantiations – Nov 23
Experience music imagined and created in real-time. This series runs from September 2025 to May 2026. Check out the full schedule here!
November 23 Performance:

    

Rob Brown-alto saxophone, flute

   

Anna Webber-tenor saxophone, flute

   

Matthew Rousseau-drums

 

Joe Morris-bass, compositions

Instantiations is made possible by the generous support of the Greater Hartford Arts Council, an organization that creates opportunities for artists and arts organizations, evolving the region into a premier destination for the arts, while building a sense of belonging for anyone looking to experience art.

Creative Cocktail Hour
Join us Thursday, October 16, from 6 to 9 PM for our Creative Cocktail Hour.
Admission is free.
We’ll have music, a food truck, custom cocktails, hands-on art-making activities, and exhibitions on view!
But most importantly, you’ll be there!
 
Solo Exhibitions:
It’s Going to Rain” Teilin Ding “thick, hazy, cleer, blew” Shona MacdonaldAfter Progress” Adam Viens
Music
Pressing Plant
Food:
Samba e Favela
Local vendors:
4Ever Vintage, Tyler Cave, Vino Crudo, Jerry’s Artarama Activities: West End Woolies “Knitflix & Build” Mask-making art station