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ARTIST BLAKE SHIRLEY EXPLORES THE DISPARATE AND FRAGMENTED NATURE OF MEMORY IN SKULL COUCH Skull Couch, 36 x 30 inches, oil and acrylic on canvas, 2011 Exhibition December 15, 2011-February 12, 2011
Hartford, Connecticut - Real Art Ways presents Skull Couch, an exhibition of large-scale paintings by Blake Shirley, who explores the disparate and fragmented nature of memory in contemporary society. Shirley focuses on memories of everyday objects that the brain registers but doesn’t absorb. These unnoticed small details, in accumulation, define our perceptions of the physical world. How can we create meaning in a perpetually changing environment when we are constantly over-saturated with stimuli? Shirley states, “We all have filters that distort the way in which we perceive the world, of which we are mostly unaware. We simply cannot take it all in ALL the time.” Shirley’s large-scale canvases depict carefully rendered objects that float in and out of geometric skulls, against a diffuse background of gestural strokes of color. They reside in a space between abstract and representational. He breaks up the spatial relationships between objects, between foreground and background. He plays with scale, creating a space that is both messy and chaotic. These paintings evoke the structure of memory, layered and fractured combining both moments of clarity and blurriness. An opening reception on Thursday, December 15 from 6-8 PM will be held as part of Creative Cocktail Hour, Real Art Ways' monthly third Thursday gathering. Creative Cocktail Hour is from 6-10 PM; admission is $10/$5 Real Art Ways members.
About Blake Shirley Also in the Galleries Poster Boy: Street Alchemy 2.0 is on view through Monday, January 30. Armed with a razor blade, Poster Boy manipulates vinyl advertisements to create startling, harsh or even humorous mash-ups. The works for Street Alchemy 2.0 were originally designed for an exhibition at Trinity College. Support
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